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USED Fulltone OCD V2 Transparent Overdrive Pedal w/ Original Box – Obsessive Compulsive Drive

Out of stock

This product is on backorder, so you can buy it now and it will ship to you as soon it's re-stocked, or use the form below to receive an email when it's back in stock.

We're currently out of stock on this item but if you'd like to inquire about incoming stock, a special order or a custom build, use the form below to get in touch with one of our specialists, and we'll get you taken care of!
– Matt's Music Staff

Description

This is a used pedal. It has been tested and gone over by the experts at our shop to ensure it’s working properly and is free of issues, unless otherwise noted in this listing. Please see pictures provided and the notes below for condition and wear. It will be packed with care to be shipped to your door! If you have any questions about this or any other piece of gear we have, please let us know and we’ll be happy to help!

Condition Notes:

– Condition: 9.5/10

– Any wear of note: None of note! In amazing shape and includes original box and sticker.

From Fulltone:

OBSESSIVE COMPULSIVE DRIVE

OCDv2

Fulltone OCD V2

The OCD has received many slight tweaks since its birth in 2004, often incorrectly identified as “version 2, Version 3, Version 4.” In reality there has always been only one version…Version 1, with very slight variations in a couple of values after that making them V1.0 through V1.8. All OCDs serial 205811 and higher are the new, less compressed versions some refer to as “v2.01”

What’s stayed the same

The OCD was the first pedal to use Mosfets as clipping devices. Another first was their configuration as “hard clippers connected to v-ref” instead of to ground, as was the norm. These things contribute greatly as to why the OCD has such touch-sensitivity…why they react so well when the strings are hit hard or soft, and why they sound & feel different than all other pedals out there, 90% of which are just slight tweaks of the Tube Screamer.

NEW FEATURE output buffer (when pedal is turned on in True-Bypass mode, or always when in Enhanced Bypass mode) which eliminates it from being influenced by effects that came after it. Translation, your sound remains consistent regardless of placement in today’s more complex signal-chains, loopers, and pedalboards. This buffer also had a positive effect on the sound, it reduced loading on the pedal’s hard-clipping stage, allowing more sustain of both the sound and the overtones.

NEW FEATURE Class A configured discrete 2N5457 JFET input section, raising the input impedance to 1 mega ohms (previously 330K) and increasing the dynamics…resulting in significantly better interaction with both single coil and humbuckers.

NEW FEATURE Internal switch to choose between ”Enhanced Bypass TM” & True-Bypass, and with no popping sound in either mode. No other company offers EB…I invented it.

A downside to True-Bypass:

True-Bypass (TB) switching was the ultimate way to achieve a clean signal path for many years. Everything’s different now, most guitarists have elaborate pedalboards with 10 or more pedals being the norm, and tremendous potential for signal and tone loss with the many cables, connectors, and other pedals involved in the chain. There can be so much signal loss that it sounds nothing like the sound of a guitar with a cable straight into the front of a great tube amp. Uninspiring.

What’s the pedal industries’ solution to this problem for the last 40 years?

Unity-gain buffered bypass…i.e. a couple of Field effect Transistors (FETs) configured as unity-gain buffers ala Boss, Ibanez, etc, etc.

What’s the benefit to unity-gain FET buffered bypass?

It reduces the loading effect that occurs using long lengths of cable, and you remove the loud “popping” sound when switching the device on and off.

What’s the issue with unity-gain FET buffered bypass?

Although my ears always told me that it sounded “tinny” and that there was signal loss, with the help of a my favorite Electronic Engineer (using some very expensive test equipment) we recently documented that each unity-gain FET buffer actually cuts the gain somewhere between 0.3 to 0.6 dB. This loss of gain is in the low-Mids and Bass frequencies, resulting in that “tinny” sound now that the highs remained and some of the bass and mids are gone. Now factor in that there are two FETs per pedal required to couple the IN & OUT path, that’s an obvious loss of between 1dB-2dB per pedal.

What’s an even bigger issue with this old style unity-gain FET bypass?

It kills dynamic pick response, i.e. it kills the difference between picking soft and picking hard…Yes, when the pedal is in bypass! This to me is a deal-breaker, and while I’ve always felt this to be the case, it’s great to be able to actually see it on the scope.

What’s the solution?

Enhanced Bypass! Configuring both of the switching FET’s Class-A! By configuring a FET for gain (also referred to as wiring it “Class-A“) all the dynamics return (and then some), even if you only configure it with the slightest amount of gain, in this case: 0.3 to .06 dB.

People rave about old EP-3 Echoplexes and Ep-3 type boosters, and although they know that they love what it does to the guitar’s sound, they can’t explain why. It’s because of the Class-A FET preamp! With a Class A FET the dynamics get amplified, allowing an even greater range of expression than if you were playing through a guitar and just one cable straight into your amp. The downside with EP-3 preamps is that they throw the signal OUT-of-phase, boost treble, and cut bass. Fulltone’s EB the signal exits the pedal IN-phase and doesn’t change the EQ at all.

With OCD V2’s Enhanced Bypass you get this benefit whether the pedal is turned ON or OFF.

This means that just having the OCD turned off in your signal chain makes the whole rig sound alive, fresh, and more powerful again.

Night & Day difference? You be the judge. Again I strongly suggest you try one at your favorite dealer, and then let me know what you think. They are at dealers now.

Shipping & Returns

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For information on International Shipping, please call, email or use live chat for rates. Orders shipping outside the Lower 48 States to Hawaii, Alaska, Puerto Rico and international orders do not qualify for free shipping. Orders shipping to U.S. Military APO/FPO addresses, PO Boxes, and US territories (Guam, Virgin Islands, etc.) can only ship USPS. NOTE: Boxes over 70 lbs each cannot be shipped to these locations.

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*Korg and Mesa/Boogie products are only available for shipment within the USA.

Returns

We want you to be completely happy with your purchase, so we offer a 48 hour approval period on most purchases (see exclusions below). The 48 hour approval period begins when your purchased item is delivered to your door. If after 48 hours you’re not happy with the item, just contact us via phone, email or live chat on our website to arrange for a return authorization (RA#) and return shipping instructions. Any package sent back without prior authorization will be refused.

Returns must be shipped back to us within two days of the RA being issued. Items must come back to us undamaged and in the same condition they were shipped out. All manuals, paperwork, cables, tremolo arms, wrenches, etc… must be included or full credit will not be issued. Any items not conforming to this policy will be subject (at our discretion) to a restocking fee of 20% of the purchase price.

Refunds will be issued minus all related shipping expenses, if free shipping was initially given, the cost we incurred to get the item to you will be deducted from your refund. A 10% restock fee will also be deducted from your refund. Restock fees will be waived for full value exchanges.

Here are exceptions to our return policy.

  • Custom orders of any kind are non returnable and non refundable. We often charge a deposit before we will place a custom or special order. All special order deposits are NON REFUNDABLE, no exceptions.
  • Microphones, Harmonicas, In-Ear Systems and any other items that come into contact with your mouth or ears.
  • Items labeled as BLOWOUT, are non-returnable. These are often being sold below cost and are considered “all sales final”.
  • Software (this may also include hardware that includes software), unless still in shrink wrap with barcode affixed.
  • Guitar strings, blank media, and other disposable merchandise.
  • Guitar or bass pickups that have been installed or used in any way.
  • Any item advertised as “USED” is non returnable.

*Payments for music lessons are non refundable, no exceptions.

View our detailed Return Policy here.

Early Order Cancellation

All deposits are non refundable. Lots of our products are special orders and in many cases your order has to be built for you at the factory. This is what makes a lot of our products special. Once your order is started, it's being put together just for you. For this reason we ask that you don't cancel your order after you place it with us. If for some reason you absolutely have to cancel your order with us, we will assess you a 25% cancellation charge. This amount is equal to 25% of your total order amount. Ask us before you place your order to see if what you're purchasing is considered a special order.

Damaged Merchandise

Do not accept your shipment if the package shows any signs of external damage. After the item is returned to us we will ship you a replacement. If you receive incorrect or defective merchandise, please call 781-335-0700 within 5 days for a return authorization number.