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Tone King Ironman II 100 Watt Reactive Power Attenuator

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We're currently out of stock on this item but if you'd like to inquire about incoming stock, a special order or a custom build, use the form below to get in touch with one of our specialists, and we'll get you taken care of!
– Matt's Music Staff

Description

From Tone King:

100W PRECISION COMPENSATED REACTIVE POWER ATTENUATOR

The Tone King Ironman II is a 100w precision compensated reactive power attenuator with a sophisticated design that allows you to reduce the volume level at the speaker(s) while allowing the amplifier to operate at full output power. The Ironman II preserves every ounce of the tone and feel of your amplifier, for natural power-tube overdrive and distortion. The 18 distinct attenuation settings let you choose the amount of output power that is being sent to the speakers, while the rest of the amplifier’s power dissipates within the Ironman II.

What makes the Ironman II work unlike any other attenuator is the tuned reactive load and the transformer coupled power division circuitry.

Ideally, the load seen by an amplifier should have the appropriate complex impedance curve so that it responds as it does to a real speaker load. A real speaker load varies greatly with frequency. For example, the impedance of a typical “8 ohm” speaker may rise to 60 ohms or more at its resonant frequency (usually around 60-80Hz), and then rise again to many tens of ohms at high frequencies.   An amplifier responds a lot differently when driving a complex load like this, compared to a simple resistive load (as is used in most attenuators).   Tone King developed the Ironman’s reactive load circuit by matching the results of impedance curve measurements, ran on an actual speaker and then tweaked the resulting design through an empirical method in order to create a load circuit that is most effective at preserving the tone and feel of your amplifier.

The second part of the equation is the circuitry that divides the power from your amplifier between the speaker and the load. In other attenuators, this is often done with a resistor ladder. There are two problems with this approach – first, the resistor ladder itself can become a part of the load, which means that the amplifier sees a simple resistive load. Second, in dividing the power this way, a voltage divider is effectively formed between the dividing network and the speaker. Since the speaker has a complex impedance that varies with frequency, the result is that the frequency response at the speaker is altered, usually dulling the top end and muddying the sound. To address this, the Iron Man II uses 100% transformer coupling via a set of custom audio transformers, so that the connection between the amplifier-to-load and between the amplifier-to-speaker is purely transformer coupled at every step of the attenuation dial. This is an expensive and elaborate design (each step of the dial requires its own tap on one of the custom transformers), but is significantly more effective at preserving the tone and feel of your amplifier than other methods.

DI OUTPUT

In this new generation of the Iron Man II an analog speaker cabinet simulation for DI purposes (balanced XLR) is included. Comparing this analog circuit to some of the most intricate computer-based IRs, Tone King achieved a great sounding output you can send to front of house or use in the studio. Included are switches for level (line and microphone inputs), and an option to select between speaker center or edge micing and ground-lift.

Solo Mode

The Ironman II provides a unique Solo mode which can be engaged using the included foot switch. The Solo function selects between the Solo and Lo/Hi range setting of the attenuator allowing you to toggle between with 2 different volume levels.  This is useful for giving the guitar that extra volume kick needed for a guitar solo that cuts through the mix or two rhythm level settings.

Impedance Matching

One unique feature of the Ironman II is its two Impedance controls – one for the amplifier input, and one for the speaker output. These dual impedance controls allow you to match your speaker to your amplifier, even if the speaker impedance differs from the amplifiers’ output impedance.

Use as a Dummy Load

The Ironman II may be used as a dummy load, to provide a proper load for your amplifier, with no speakers attached. This is typically done in recording, where the Ironman II’s Line-Out will be used to drive a mixing board, or when an amplifier is being “slaved” to a larger amp (with the Line-Out signal driving another amplifier).

Presence Switch

The Presence switch provides subtle control of brightness and compression. It allows you to tailor the response to match your acoustic environment, and to correct for an overly bright amplifier. Three settings are provided: 0db (brightest setting), -3db, and -6db (darkest setting).

ATTENUATE / BYPASS SWITCH

The “Bypass” mode, which is in fact not called ‘bypass’ is the far right setting of the attenuation knob (0dB) in the Solo mode.   In Attenuate mode, the attenuator is active, and in Bypass mode, the attenuator is disabled. In Bypass mode, the speaker outputs are connected directly to the amplifier input, and the attenuator circuitry is completely disconnected from the signal path.

LINE OUT

The Ironman’s Line-Out jack provides a line-level signal that can be used to drive another amplifier, mixing board, computer sound input or any other line level input.

Front Panel:

  • Attenuation Settings:
  1. SOLO: 0dB, -4dB, -8dB, -12dB, -22dB and-32dB
  2. HI: -3dB, -7dB, -11dB, -15dB, -25dB, -35dB
  3. LO: -6dB, -10dB, -14dB, -18dB, -28dB, -38dB
  • Presence: 0dB, -3dB or -6dB
  • Switches: Hi/Lo Switch and Solo

Rear Panel:

  • Amplifier Impedance Switch: 4, 8 or 16 ohms
  • Speaker Impedance Switch: 4, 8 or 16 ohms
  • XLR DI Output with switches for: GND, AXIS and LEVEL
  • 1/4″ Line Out
  • Foot Switch jack – foot switch is included
  • 12V DC Jack – use the included power supply

Weight: 15 lbs.

Dimension: 10.25″ (deep)x 9.5″ (wide) x 3.75″ (high)

Shipping & Returns

Free Shipping

Most orders over $99.00 ship for free inside the lower 48 states. Certain items that are large and heavy do not qualify for free shipping.

We Ship Worldwide!

For information on International Shipping, please call, email or use live chat for rates. Orders shipping outside the Lower 48 States to Hawaii, Alaska, Puerto Rico and international orders do not qualify for free shipping. Orders shipping to U.S. Military APO/FPO addresses, PO Boxes, and US territories (Guam, Virgin Islands, etc.) can only ship USPS. NOTE: Boxes over 70 lbs each cannot be shipped to these locations.

As a security precaution, orders over $200.00 will only ship to the address your credit card company has on file for you.

*Korg and Mesa/Boogie products are only available for shipment within the USA.

Returns

We want you to be completely happy with your purchase, so we offer a 48 hour approval period on most purchases (see exclusions below). The 48 hour approval period begins when your purchased item is delivered to your door. If after 48 hours you’re not happy with the item, just contact us via phone, email or live chat on our website to arrange for a return authorization (RA#) and return shipping instructions. Any package sent back without prior authorization will be refused.

Returns must be shipped back to us within two days of the RA being issued. Items must come back to us undamaged and in the same condition they were shipped out. All manuals, paperwork, cables, tremolo arms, wrenches, etc… must be included or full credit will not be issued. Any items not conforming to this policy will be subject (at our discretion) to a restocking fee of 20% of the purchase price.

Refunds will be issued minus all related shipping expenses, if free shipping was initially given, the cost we incurred to get the item to you will be deducted from your refund. A 10% restock fee will also be deducted from your refund. Restock fees will be waived for full value exchanges.

Here are exceptions to our return policy.

  • Custom orders of any kind are non returnable and non refundable. We often charge a deposit before we will place a custom or special order. All special order deposits are NON REFUNDABLE, no exceptions.
  • Microphones, Harmonicas, In-Ear Systems and any other items that come into contact with your mouth or ears.
  • Items labeled as BLOWOUT, are non-returnable. These are often being sold below cost and are considered “all sales final”.
  • Software (this may also include hardware that includes software), unless still in shrink wrap with barcode affixed.
  • Guitar strings, blank media, and other disposable merchandise.
  • Guitar or bass pickups that have been installed or used in any way.
  • Any item advertised as “USED” is non returnable.

*Payments for music lessons are non refundable, no exceptions.

View our detailed Return Policy here.

Early Order Cancellation

All deposits are non refundable. Lots of our products are special orders and in many cases your order has to be built for you at the factory. This is what makes a lot of our products special. Once your order is started, it's being put together just for you. For this reason we ask that you don't cancel your order after you place it with us. If for some reason you absolutely have to cancel your order with us, we will assess you a 25% cancellation charge. This amount is equal to 25% of your total order amount. Ask us before you place your order to see if what you're purchasing is considered a special order.

Damaged Merchandise

Do not accept your shipment if the package shows any signs of external damage. After the item is returned to us we will ship you a replacement. If you receive incorrect or defective merchandise, please call 781-335-0700 within 5 days for a return authorization number.

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