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Mesa Boogie JP-2C 60/100 Watt 1×12 Combo Amp – Mark IIC+ – Limited Run

$4,299.00

In stock

We're currently out of stock on this item but if you'd like to inquire about incoming stock, a special order or a custom build, use the form below to get in touch with one of our specialists, and we'll get you taken care of!
– Matt's Music Staff

Description

This amp is VERY limited and will only have 100 units total in the world!

From Mesa:

Headroom, Horsepower, and Burning Tone Inspired by Our 40-Year Relationship With John Petrucci 

Inspired by our 40-year relationship with John Petrucci and our 2016 collaboration with him on our legendary signature amplifier, the JP-2C™ Head, we are proud to expand the offering with this new limited edition JP-2C 1×12 Combo! As is the case with John’s stunning JP Head, this new 1×12 Combo is all MARK IIC+ at heart and packs the same legendary performance of the fabled 100-watt IIC+ as well as all the updates and features of today’s JP-2C. All this headroom, horsepower, and burning Tone is packed into our legendary Boogie® “wolf in sheep’s clothing” compact 19” combo format.

SIMPLICITY IN DESIGN

Much like a race car or fighter jet, the JP-2C strips down to bare essentials to get the job done effectively and in the simplest way. It’s a purpose-built, no-compromise rendering that aims at one single goal; provide the most aggressive, purest sounding IIC+ in a versatile package that delivers the goods to meet John’s recording and stage needs. The JP-2C offers the highest headroom Clean sounds of any Mark Series amp, one Boogie Lead Channel for tight, grinding rhythm work, and a slightly higher gain Boogie® Lead Channel, with access to even more saturation yet the ability to track any technique and speed while also reaching to the stratosphere for single note solos.

In that spirit, unlike other MESA amplifiers, the JP-2C foregoes the concept of multiple voicing Modes per channel and instead dedicates each of the three Channels exclusively to one of two voicings from the MARK IIC+. In Channels 2 and 3, it also adds a SHRED Mode, which further enhances the top-end harmonic layering of the original IIC+ Lead Circuit.

CHANNEL 1 – DEDICATED TO CLEAN

Channel 1 is dedicated to Clean sounds and is optimized for the maximum headroom possible in the preamp section. Power section clip may be employed to attain some degree of overdrive in Channel 1, albeit at very high volumes due to the 100/60-watt rating of the JP-2C power section. Additional “drive” may be sought in the upper region of the MID control (beyond 12:00 o’clock) as the MID pot employed here is the same value and taper as our MID/BOOST control found on some of our newer MARK SERIES amplifiers. However, increased headroom in the preamp reduces the amount of overall “gain-boost” available as compared to our other amplifiers with this feature. This fact renders this more powerful MID control as just that, a MID that has increased range to add more midrange frequencies and a “cleaner” gain boost into the mix.

CHANNEL 2 – EVOLUTION OF THE ORIGINAL MARK IIC+ CIRCUIT

Channel 2 is the JP-2C’s Crunch generator. This Channel is all about aggressive, tight overdriven rhythm sounds delivered with amounts of Gain usually associated with Lead Modes or Channels. It IS, in fact, a Lead Channel, the LEAD Channel from the MARK IIC+ in its original state, circuit-wise. The setting of the Gain has been optimized for its performance in this category of sounds and though it can definitely be used for Lead sounds of all kinds, it is perhaps the best choice when dedicating a Channel in the JP-2C to Crunch rhythm work.

To achieve the most famous, now classic MARK IIC+ grinding rhythm sounds in Channel 2, you can now employ one of two 5-Band Graphic Equalizers…yes, here in the JP-2C, you have a separate EQ for each of the high gain Channels! This means greater flexibility and improved accuracy when crafting your sounds and allows you to arrive at a truly no-compromise set of sounds for both rhythm and lead! This was impossible on the original MARK IIC+, hence the fact that many top Artists of the day used two MARK IIC+s and a MIDI switcher (also contained here) in a rack system to call up dedicated amps with different settings for each sound.

In both Channels 2 and 3 of the JP-2C, we have removed the VOLUME 1 Control and the LEAD MASTER control from the Panel Layout as compared to the LEAD Mode of the original MARK IIC+ in favor of user simplicity. The LEAD MASTER is a largely redundant control here in the JP-2C, and its setting has a very minimal role in the sound. The VOLUME 1 is a bit more sensitive and critical, and here in the JP-2C, it is preset internally (as we did in our MARK V) to its optimum setting for each Channel. The end result for the user is an amplifier that is MUCH easier to dial and arrive at the very best of the MARK IIC+’s most signature and mind-blowing sounds more quickly and with less “neurotic tweaking” required. There is NO compromise of the original’s performance and yet a SERIOUS benefit in the dial-ability of the JP-2C.

CHANNEL 3 – HIGH GAIN SUSTAIN AND EXPLOSIVE ATTACK

Channel 3 is created with soaring lead sounds in mind. Our first priority was to meet and even exceed the incredible explosive attack, blistering sustain, and harmonic complexity of the very best of the MARK IIC+s. We, along with the amplifier’s namesake, feel we have achieved exactly that. Channel 3 boasts all the nuanced performance of the originals and delivers it with unbelievable authority due to the 100-watt Class A/B (versus 90-watt Simul-Class™) power section. This difference in power section serves John’s musical style extremely well – In fact, his absolute favorite amplifier of the many IIC+s he owns is a 100-watt model. Channel 3’s character is, therefore, a little warmer, fatter, and compressed, and this plays well into its intended application for lead work of all styles and gain requirements.

FEATURE OVERVIEW

100 OR 60 WATTS – THE HEART OF THE ORIGINAL MARK IIC+

A long-time MESA feature directly off the classic MARK IIC+ and at the heart of this amplifier is the 100/60 Power Switch. One of the very first “modern amp” features MESA pioneered in the late 60s, this switch puts the center two power tubes in Standby Mode and allows you to operate at a reduced power setting. This is great for smaller venues and rehearsals, increasing power tube life by swapping, and also imparts a slightly brighter, snappier response that some find desirable. It also allows more power tube saturation at lower volume levels for those who may find that preferable. Either way, the 100/60 switch adds versatility and options to the already impressive arsenal here in the JP-2C.

PULL SHIFT – MODIFIED TO PULL GAIN & PULL PRESENCE

In addition to the VOLUME 1 and LEAD MASTER control deletions from the original circuit, we’ve modified the PULL SHIFT feature layout of the original IIC+ to simplify and enhance both high-gain Channels 2 and 3. All PULL SHIFTS that were possible in the original IIC+ LEAD Mode are internally set to their optimized settings based upon the historical polling of savvy MARK IIC+ aficionados, artists, and the MESA Design Team.

In addition to these changes to the original circuit, we have added two new PULL options on the JP-2C. A PULL GAIN on the GAIN control and a PULL PRES (shift) on the PRESENCE control.

PULL GAIN increases the setting of the internally set VOLUME 1 control by approximately one number setting’s worth…in other words, just a little bit. This means that it is added to the already preset amount of gain/drive that is in place when the pot is NOT pulled out. In both Channels, this PULL GAIN feature allows a little boost of gain for specific musical styles.

The PULL PRES feature located on the PRESENCE controls allows two very different Presence frequencies to be selected. When PULLED, the time-honored frequency we have used for 45 years appears, which allows control over a much higher range of top end than that of the TREBLE control. When left PUSHED-IN, the PRESENCE control operates on a lower frequency that is still above the TREBLE but adds “increased cut and focus” lower than the traditional PRESENCE that, at times, can sound more cohesive for high gain Crunch rhythm sounds.

GRAPHIC EQ x 2

The ONLY switch in each of the three Channels is the assignment switch for the two 5-Band Graphic Equalizers. This 3-position toggle allows assignment of either of the EQs to any of the three Channels, with the upper position engaging EQ 1 and the lower position employing EQ 2. The center position of the EQ switch allows you to either bypass or Footswitch the EQ on or off.

EQ WINDOW & FEATURE CONTROL SWITCHES

The 10 EQ Sliders that make up the two separate 5-Band Graphic Equalizers are housed in the EQ Window section of the Front Panel. Along with them, this section contains control switches for four other Functions/Features. These are the Effects Loop, Reverb, Channel Select, and the SHRED Voicing Mode. This convenient placement alongside the EQ Faders in this Window allows you to dial in your individual sounds and selections quickly and in one place so that when storing the settings you have arrived at for a given sound under a MIDI program number, there isn’t the need for a lot of jumping around on the Front Panel.

SHRED – A NEW VOICE IN HIGH GAIN

The JP-2C incorporates a new voicing feature in the high gain Channels not present in the original MARK IIC+ LEAD Mode that further enhances the harmonic layering of the top end. This 3-position switch located to the lower right of the EQ 2 window affects only Channels 2 and 3 and adds an additional layer of upper harmonic content in the high gain Modes. It is especially beneficial for high-gain Crunch Rhythm sounds as it lends aggression and three-dimensionality to the sound, adding a harmonic haze that rides atop the fat, grinding wall of gain.

This new voicing Mode adds even more versatility to the already powerful array of sounds in the Encyclopedia of Heavy that is the JP-2C. And with the ability to run SHRED active on one or both high gain Channels, combined with your no-compromise EQ choices, you can now craft the ultimate Crunch rhythm and Lead sounds in the same amp and switch instantly between them. Freedom!

REVERB – CHANNEL INDEPENDENT & FOOTSWITCHABLE

You’ll find our classic, rich all-tube REVERB on the JP-2C but with greater control and performance flexibility than the original IIC+. It can be auto-set to “On” all the time or set to “Off” or “Footswitchable” (on/off) via the REVERB TOGGLE SWITCH located in the lower-left corner of the EQ 1 Window. Each Channel also features its own REVERB blend control located on the left side of the rear panel.

FX LOOP

The JP-2C features a fully buffered, tube FX Loop that can be auto-set to “ON” or is also MIDI switchable via the FX TOGGLE SWITCH located in the upper left corner of the EQ 1 Window.

CABCLONE™ D.I.

We’ve included our popular CABCLONE™ D.I. Cabinet Simulator and Recording Interface for convenient direct live or recording applications without the need for miking, although you can do that as well for a blend of live speaker and direct sounds. The full complement of Voicing options from our stand-alone CABCLONE has been included here; CLOSED BACK, OPEN BACK, and VINTAGE. This greatly increases the versatility of this feature for different sound styles. Other features in addition to the balanced XLR Output include Speaker MUTE, an Instrument/Line LEVEL switch, and GROUND/LIFT options.

HEADPHONE OUT

Since the JP-2C contains our CABCLONE D.I. Cabinet Simulator and Recording Interface, all the elements for a great HEADPHONE Output are available, so this is also included. This Cabinet Simulated Stereo ¼” Output captures the entire sound of the amplifier – power section and all. This HEADPHONE Output makes for convenient and inspired practicing in environments where the sound of a speaker cabinet is not ideal or cannot be used.

FTSW and MIDI

Three DIN jacks, one 8-pin for the MESA Foot Controller, and two standard 5-pin DIN jacks for MIDI IN and THRU/OUT are included for true connectivity and a number of ways to access the amazing sounds and pro features in the JP-2C. A STORE toggle switch allows simple one-touch writing and control of the JP-2C’s Amp Channels, Graphic EQs, Shred, Reverb, and FX Loop to any of 256 MIDI Program Numbers. Storing the settings of these features is as easy as selecting a MIDI Program number on the Foot Controller (or Computer) and toggling the STORE key. There is also a mini MIDI Channel Rotary Selector for syncing of the MIDI Channel used by your Controller of choice.

The JP-2C 1×12 Combo is the next chapter of this icon’s story, self-contained and more convenient for more players in more venues – all without compromising on its expressive tone, feel, or performance. Add the updated features so many recording artists, MESA enthusiasts, and tone freaks the world over have come to rely on, and you’ve got the ultimate all-tube, analog IIC+ “guitar workstation.”

  • Designed by Legendary MESA Amp Designer Randall Smith
  • Built in Petaluma, California USA
  • All-Tube Design: 4x 6L6 Power Tubes / 5x 12AX7 Preamp Tubes
  • Class A/B Power Amp delivers exceptional power, punch, & clarity
  • Full Power/Half Power (100/60-Watt) Global Power Switch
  • 3 Footswitchable Channels
  • 3 Voicing Modes – Clean, Mark IIC+, or Shred
  • 2 Footswitchable and channel-assignable Boogie 5-Band Graphic EQs
  • Tube-driven Spring Reverb
  • Fully buffered Tube-driven Series Effects Loop (MIDI switchable)
  • CabClone D.I. Cabinet Simulation for silent, direct output
  • MIDI Programmable
  • Proprietary Celestion Custom 90 12” Speaker
  • 3×3, 6-Button Footswitch (Bottom Row: Channel 1, Channel 2, Channel 3 – Top Row: Reverb, EQ 1, EQ 2)

QUICK OVERVIEW

  • Wattage: 100 or 60 Watts Selectable (Global)
  • Channels & Modes: 3 Channels / 3 Modes
  • Mode Voicings styles: Ch. 1 = Mark IIC+ Clean or Boost Ch. 2 = Mark IIC+ Gain or Shred Ch. 3 = Mark IIC+ Gain or Shred
  • Graphic Eq Reverb Fx Solo: Fully Buffered Series Tube FX Loop (MIDI Switchable)
  • Foot switchable Functions: Ch. 1, Ch. 2, & Ch. 3, Reverb, Graphic EQ 1, & Graphic EQ 2
  • Speakers Impedance: 1×12” Celestion Custom 90 Speaker – 8 ohms
  • Weight: 59 lbs. (26.76 kg.)
  • Dimensions: 18 1/4″ H x 18 3/4″ W x 11 1/2″ D 46.36 cm H x 47.63 cm W x 29.21 cm D
  • Type: 1×12 Combo
  • Controls: Channel 1 Features: Independent Gain, Treble, Mid/Boost (patent applied for; doubles as a standard Midrange Tone Control from 1 to 5 AND a Variable Gain Boost Control from 5 to 10, providing precise levels of sweet harmonic overdrive), Bass, Presence, Reverb (rear panel), Assignment Switch for Dual 5-Band Graphic EQs (EQ 1 or EQ 2 – On, Off, or Footswitchable) & Master Controls Channel 2 & 3 Features: Shred Mode (Assignment Switch in lower right corner of EQ section – MIDI Switchable), Independent Gain with Pull Gain Boost, Treble, Middle, Bass, Presence with Pull Frequency Shift, Reverb (rear panel), Assignment Switch for Dual 5-Band Graphic EQs (EQ 1 or EQ 2 – On, Off, or Footswitchable) & Master Controls

AMP FEATURES

  • Amp Type: Tube
  • Rectifier Type: Silicon Diodes
  • Rectifier Tubes: n/a
  • Variac PowerSwitch: n/a
  • Preamp Tubes: 5x MESA 12AX7
  • Power Amp Tubes: 4x MESA 6L6
  • Maintenance Free Fixed Bias: Yes
  • Wattages Quick Reference: 100 or 60 Watts via 100/60 Watt Global Power Switch – See Power Amp Details for more information
  • Built In Power Amp Attenuation: n/a
  • Power Amp Details Class Wattage: Class A/B Power with selectable, global 100/60 Power Switch – Provides two power options: Choose 2 power tubes, producing 60 Watts of small block-power or all 4 power tubes, producing 100 Watts of big-block horsepower and authority.
  • Number Of Style Modes: Three
  • Number Of Style Modes Per Channel: Two
  • Channel Controls: Channel 1 Features: Independent Gain, Treble, Mid/Boost (patent applied for; doubles as a standard Midrange Tone Control from 1 to 5 AND a Variable Gain Boost Control from 5 to 10, providing precise levels of sweet harmonic overdrive), Bass, Presence, Reverb (rear panel), Assignment Switch for Dual 5-Band Graphic EQs (EQ 1 or EQ 2 – On, Off or Footswitchable) & Master Controls Channel 2 & 3 Features: Shred Mode (Assignment Switch in lower right corner of EQ section – MIDI Switchable), Independent Gain w/Pull Gain Boost, Treble, Middle, Bass, Presence w/Pull Frequency Shift, Reverb (rear panel), Assignment Switch for Dual 5-Band Graphic EQs (EQ 1 or EQ 2 – On, Off or Footswitchable) & Master Controls
  • Graphic Eq And/or Contour: TWO Selectable 5-Band Graphic EQs (Footswitchable, Channel Assignable, or Off)
  • Reverb Effects Bypass Options: Footswitchable, All-Tube, Long-Tank Spring Reverb with Independent Channel Controls
  • Effects Loop Bypass Options: Fully Buffered Series Tube FX Loop (MIDI Switchable)
  • Global Output Level Control: n/a
  • Global Solo Level Control: n/a
  • True Bypass Options: n/a
  • External Switching Jack Options And/or Midi: MIDI Switchable/Programmable via Control Change and Program Change messages, with 256 Preset Locations (MIDI IN, MIDI Thru/Out, MIDI Channel & Store Switches) – Controls Channels 1, 2, 3, EQ 1, EQ 2, Shred, Reverb, & FX Loop
  • Speaker Outputs: One 16 Ohm, One 8 Ohm, and Two 4 Ohm
  • Cabinet Simulation Direct Live recording Output: Built-in MESA CabClone™ Cab Simulator with Internal Amp Load & Headphone Output – Featuring Closed Back, Open Back, & Vintage Cabinet Simulations, Speaker On/Off, Ground Lift, and +4/-10 Output Level Switches
  • Internal Amp Load For SpeakerLess Performance: Yes (see Cabinet Simulation for more information)
  • Headphone Output: Yes (see Cabinet Simulation for more information)
  • Slave Output: Yes
  • Extra Features: n/a

ACCESSORIES

  • Footswitch: Included – 3×3 – 6 Button Footswitch (Bottom Row: Ch. 1, Ch. 2 & Ch. 3 – Top Row: Reverb, Graphic EQ 1, & Graphic EQ 2)
  • Slip Cover: Included – Fitted Slipcover

FEATURES

  • Cabinet Material: Marine Grade, Baltic Birch
  • FINISH: Black Bronco Vinyl, Black Jute Grille, Black Handle & Corners
  • Speakers Impedance: 1 – 8 Ohm Celestion Custom 90 / Total Load = 8 Ohms
  • Casters: n/a
  • Extra Features: n/a

WEIGHTS AND DIMS

  • Weight: 59 lbs. (26.76 kg.)
  • Height: 18 1/4″ / 46.36 cm
  • Width: 18 3/4″ / 47.63 cm
  • Depth: 11 1/2″ / 29.21 cm

Shipping & Returns

Free Shipping

Most orders over $99.00 ship for free inside the lower 48 states. Certain items that are large and heavy do not qualify for free shipping.

We Ship Worldwide!

For information on International Shipping, please call, email or use live chat for rates. Orders shipping outside the Lower 48 States to Hawaii, Alaska, Puerto Rico and international orders do not qualify for free shipping. Orders shipping to U.S. Military APO/FPO addresses, PO Boxes, and US territories (Guam, Virgin Islands, etc.) can only ship USPS. NOTE: Boxes over 70 lbs each cannot be shipped to these locations.

As a security precaution, orders over $200.00 will only ship to the address your credit card company has on file for you.

*Korg and Mesa/Boogie products are only available for shipment within the USA.

Returns

We want you to be completely happy with your purchase, so we offer a 48 hour approval period on most purchases (see exclusions below). The 48 hour approval period begins when your purchased item is delivered to your door. If after 48 hours you’re not happy with the item, just contact us via phone, email or live chat on our website to arrange for a return authorization (RA#) and return shipping instructions. Any package sent back without prior authorization will be refused.

Returns must be shipped back to us within two days of the RA being issued. Items must come back to us undamaged and in the same condition they were shipped out. All manuals, paperwork, cables, tremolo arms, wrenches, etc… must be included or full credit will not be issued. Any items not conforming to this policy will be subject (at our discretion) to a restocking fee of 20% of the purchase price.

Refunds will be issued minus all related shipping expenses, if free shipping was initially given, the cost we incurred to get the item to you will be deducted from your refund. A 10% restock fee will also be deducted from your refund. Restock fees will be waived for full value exchanges.

Here are exceptions to our return policy.

  • Custom orders of any kind are non returnable and non refundable. We often charge a deposit before we will place a custom or special order. All special order deposits are NON REFUNDABLE, no exceptions.
  • Microphones, Harmonicas, In-Ear Systems and any other items that come into contact with your mouth or ears.
  • Items labeled as BLOWOUT, are non-returnable. These are often being sold below cost and are considered “all sales final”.
  • Software (this may also include hardware that includes software), unless still in shrink wrap with barcode affixed.
  • Guitar strings, blank media, and other disposable merchandise.
  • Guitar or bass pickups that have been installed or used in any way.
  • Any item advertised as “USED” is non returnable.

*Payments for music lessons are non refundable, no exceptions.

View our detailed Return Policy here.

Early Order Cancellation

All deposits are non refundable. Lots of our products are special orders and in many cases your order has to be built for you at the factory. This is what makes a lot of our products special. Once your order is started, it's being put together just for you. For this reason we ask that you don't cancel your order after you place it with us. If for some reason you absolutely have to cancel your order with us, we will assess you a 25% cancellation charge. This amount is equal to 25% of your total order amount. Ask us before you place your order to see if what you're purchasing is considered a special order.

Damaged Merchandise

Do not accept your shipment if the package shows any signs of external damage. After the item is returned to us we will ship you a replacement. If you receive incorrect or defective merchandise, please call 781-335-0700 within 5 days for a return authorization number.