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USED Black Mass Electronics The First Herald Big Box Fuzz

We're currently out of stock on this item but if you'd like to inquire about incoming stock, a special order or a custom build, use the form below to get in touch with one of our specialists, and we'll get you taken care of!
– Matt's Music Staff

Description

This is a used Black Mass Electronics First Herald pedal. The item pictured is the one you will receive. It has been tested and gone over by the experts at our shop to ensure it’s working properly and is free of issues, unless otherwise noted in this listing. Please read the description carefully and check over all photos for condition and wear. We do our best to describe all items as best as possible and note any wear we find, but please be considerate that it is a used piece and it won’t be perfect. We pack all items with care when shipping them. If you have any questions about this or any other piece of gear we have, please let us know and we’ll be happy to help!

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Condition Notes:

– Condition: 9.5/10

– Any wear of note: No real wear. In overall really incredible shape!

– Other notes: Here’s a really amazing fuzz pedal from Black Mass. It features an independent boost circuit, an order toggle switch (Boost into Fuzz and vice versa), a clipping toggle switch and more!

– Accessories included: Original box, bag and manual sheet only.

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From Black Mass Electronics:

The First Herald (Big Box)

Growing up learning how to play guitar, my house had one pedal: my dad’s ’73 Rams Head. This sound is ingrained in my psyche. Black Mass started its life with me trying to clone this pedal. When I started working on The First Herald, I decided to start fresh. I scrutinized every component value, and spent months finalizing it. While the topology remains similar, the sound is modern, decisive, and unmistakably malicious.

The First Herald features two independent and reversible circuits. The Fuzz takes advantage of a modernized tone stack and three distinct clipping modes. The Tone knob operates how you would expect with more bass and less treble when counter-clockwise, to less bass and more treble when turned clockwise. An added Scoop control allows you to dial in exactly where you want to sit in the mix. All the way down, you have a full and present fuzz, but turn it up to add some of that signature midrange scoop. The clipping section is extra special. With the toggle to the left, both soft-clipping stages utilize a hybrid MOSFET/LED combo for a huge, open, cutting fuzz. To the right, the two clipping stages use traditional silicon diodes for extra compression and that smooth, squashed, vintage sound. In the middle position, all of the clipping diodes are removed from the circuit for pure unadulterated transistor abuse. The position is incredibly loud and amazing for bassists or smashing the front of a tube amp. To make the most of each clipping mode, the blocking capacitor values, which determine clipping frequencies, were carefully chosen for each mode and change according to switch position. This helps keep everything in balance, while still giving each position a unique voice.

The Boost side is a simple discrete boost circuit. The magic here comes from the order reverse switch that allows you to run the boost before or after the fuzz. Run Boost before for extra thick Fuzz saturation, or run it after to drive the amp harder or for a solo level boost. This is not a clean boost, it adds some color, grit, and tons of volume, making it the perfect accompaniment for the Fuzz side.

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SPECS

Controls:

Volume: Controls the output level of the fuzz circuit.

Tone: Mix of high cut and low cut circuits. Clockwise for more treble and less bass, counterclockwise for less treble and more bass.

Scoop: Controls the amount of mid scoop. This control is very interactive with tone, and clipping options, giving you complete control over where you sit in a mix. Counterclockwise mids are flat. Clockwise mids are scooped into oblivion.

Sustain: Controls the amount of fuzz saturation and sustain.

Boost: Controls the level of independent boost circuit

A>B Switch: Order reverse switch. Left runs fuzz into boost – great for lead boosts. Right runs boost into fuzz – great for smashing fuzz input for more saturation.

Clip: Left position is a modern and aggressive sounding LED/MOSFET hybrid. The middle position removes diodes from both clipping stages resulting in an EXTREMELY LOUD, unique overdriven sound — great for bass players. Right position is a standard silicon clipping option for a more vintage fuzz.

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Power:

9v DC only. Do not run at higher voltages. Standard 2.1mm center negative power only.

Current Draw: <100mA.

Use an isolated power supply.

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Switching:

True Bypass, relay based switching. Defaults to bypass in case of power failure.

Shipping & Returns

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Returns

We want you to be completely happy with your purchase, so we offer a 48 hour approval period on most purchases (see exclusions below). The 48 hour approval period begins when your purchased item is delivered to your door. If after 48 hours you’re not happy with the item, just contact us via phone, email or live chat on our website to arrange for a return authorization (RA#) and return shipping instructions. Any package sent back without prior authorization will be refused.

Returns must be shipped back to us within two days of the RA being issued. Items must come back to us undamaged and in the same condition they were shipped out. All manuals, paperwork, cables, tremolo arms, wrenches, etc… must be included or full credit will not be issued. Any items not conforming to this policy will be subject (at our discretion) to a restocking fee of 20% of the purchase price.

Refunds will be issued minus all related shipping expenses, if free shipping was initially given, the cost we incurred to get the item to you will be deducted from your refund. A 10% restock fee will also be deducted from your refund. Restock fees will be waived for full value exchanges.

Here are exceptions to our return policy.

  • Custom orders of any kind are non returnable and non refundable. We often charge a deposit before we will place a custom or special order. All special order deposits are NON REFUNDABLE, no exceptions.
  • Microphones, Harmonicas, In-Ear Systems and any other items that come into contact with your mouth or ears.
  • Items labeled as BLOWOUT, are non-returnable. These are often being sold below cost and are considered “all sales final”.
  • Software (this may also include hardware that includes software), unless still in shrink wrap with barcode affixed.
  • Guitar strings, blank media, and other disposable merchandise.
  • Guitar or bass pickups that have been installed or used in any way.
  • Any item advertised as “USED” is non returnable.

*Payments for music lessons are non refundable, no exceptions.

View our detailed Return Policy here.

Early Order Cancellation

All deposits are non refundable. Lots of our products are special orders and in many cases your order has to be built for you at the factory. This is what makes a lot of our products special. Once your order is started, it's being put together just for you. For this reason we ask that you don't cancel your order after you place it with us. If for some reason you absolutely have to cancel your order with us, we will assess you a 25% cancellation charge. This amount is equal to 25% of your total order amount. Ask us before you place your order to see if what you're purchasing is considered a special order.

Damaged Merchandise

Do not accept your shipment if the package shows any signs of external damage. After the item is returned to us we will ship you a replacement. If you receive incorrect or defective merchandise, please call 781-335-0700 within 5 days for a return authorization number.